Welcome to Music
Sound Foundation has been purpose-built to make life easier, simpler and better for artists and their crowds. We've set up all the plug ins our creatives and their crowds need to promote their content - SoundCloud, triple j Unearthed, Facebook, Twitter, MySpace, Google+, LinkedIn, Pintrest and the rest - and created SFTV, the space for our musicians to showcase their film clips and hero clips. Enjoy our library or publish with us! We offer a range of options for royalty split deals – you choose 50%, 70% or 90% - and free membership for creatives who choose 50%! For complete membership info please check out the Join Us tab.
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10 Random Albums Feel free to view our catalogue by letter or genre
“mizair” is the name of Garry's current project. It began nearly ten years ago when Garry and co-producer/engineer David Hemming recorded some demos of a few of Garry's songs, including “Songlines” a feature track on the current CD. The project has gone through many changes, with different singers and musicians, but has always kept its original concept, which was to record the best of Garry's material to the best possible standard.
The essence of Groove Dalley is the Groove. The Groove is where this music starts, evolves and ends. The music has been described as a fusion of electro-jazz, funk and hip-hop, combined with elements of Reggae, Latin and Dance.
Welcome to Yowie Arab, another great trance album from The Busy Arab. This album was compiled by several people including Rabbi Leon, Luke R, David Joseph and Vanessa Wall, and was mastered by Jack The Bear. If you like organic trance check it out.
Welcome to Band of Frequencies new album, 'Sol Train'. Created by Shannon Sol R. Carroll, Oj Newcomb & Mark Henman, this album offers a great selection of original sounds from a collective of musicians that have been making very fluid sound waves. Their sound is a rootsy concoction of rock 'n' soul, electric guitar and drum driven psychedelic journeys, acoustic ambient jams and laid back grooves fit for a Sunday arvo on the verandah. If you like roots music and an earthy mix of sonic styles then this album is a must.
So why do you leave glass smiling like a love struck fool? Maybe it's because we can transport you to a seductive Rio night, a smoky Parisian den and a thumping Sydney bar all in one passionate performance....
Rachael Brady is an independent singer/songwriter with a huge voice and a utopian vision - a self described peaceful revolutionary who offers up an emotive and beautiful hybrid of acoustic folk, roots, blues and jazz swathed in political, social and spiritual issues, wrapped in a voice that alternates between gale force wind and whisper.
To follow up from the highly successful single No Dog War, King Tide, one of Australia's leading reggae acts are proud to announce the release of their album To Our Dearly Deported. Mixing feel-good grooves with a beachside vibe, this album is named in dedicated to Jamacian born Sean Collins, the band's toaster/ MC, who was deported back to the States after being bailed out of Villawood detention centre to record his tracks on the album.
She is the Best new female artist to grace the folk/roots scene and her full length album Vivid sure proves that she is here to stay.' Alleyway Music. With her trademark fingerpicking and strumming guitar style, warm husky tones, and honest, heartfelt lyrics, surfing singer songwriter Sue-Anne is one of the brightest stars in to shine on the contemporary folk/roots scene.
In TRAVELLING SONGS (1994) the song titles say it all; ‘Pig Wobble’, ‘Ride’, ‘Scramble’, ‘Stampede’. The didj riffs are fast, strong, and melodies express the exhilaration of travelling. The Australian Broadcasting Corporation (ABC) dubbed it ‘jazz goes walkabout’. Besides the pacey didj riffs there’s chunky keyboard, wild saxophone and solid drum playing.
Diana Ah Naid spent much of her life on the road in Australia, traveling with her father and her two brothers after the death of her mother when she was eleven months old. The family earned money for food and shelter by performing in bars and on street corners, giving Ah Naid her basic training in performing from the age of seven onwards.
